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I SEND: Hüsker Dü- These Important years (79-87) andotherstuff321 views |
| brandnewbike - 3/19/08, 2:10 pm |
| IMAGE REMOVED - CLICK TO VIEW 01 - Signals From Above 02 - Beyong the tresshold 03 - Don't wanna know if you are lonely 04 - Make no sense at all 05 - Standing in the Rain 06 - Afraid of Being Wrong 07 - Folk lore 08 - Too Much Spice 09 - Lifeline 10 - All this I've done for you 11 - If I told you 12 - Indecision time 13 - Could You be the One 14 - Never talking to you again 15 - Divide and conquer 16 - I apologized 17 - From The Gut 18 - Ice Cold Ice 19 - first of the last calls 20 - Diane 21 - Punk turns to blue 22 - Do You Remember? 23 - Find me 24 - To far down Disc 1 01 - Bricklayer 02 - Broken home broken heart 03 - Visionary 04 - Girls who live on heaven hill 05 - Blah, Blah, Blah 06 - Celebrated summer 07 - Every everything 08 - These Important Years 09 - I'll never forget you 10 - In A Free Land 11 - Eiffel tower high 12 - Back from Somewhere 13 - Private plane 14 - Let's Go Die 15 - Its Not Funny Anymore 16 - I don't know what you're talking about 17 - Something I've learned today 18 - Sorry somehow 19 - Flexible flyer 20 - Everything Falls Apart 21 - Eight Miles High (Byrds cover) 22 - Green eyes 23 - Friend, You've Got to Fall 24 - What's going on 25 - Hardly getting over it disc 2 IMAGE REMOVED - CLICK TO VIEW 01. One More Hour 02. Goodbye, Bird 03. Like Today 04. As Everything 05. New Book Of Old 06. Defy's Gravity 07. I Was Stolen 08. Dreams I.H.S. 09. Have You Had Enough 10. We Can Be 11. Maybe 12. What's The Use- 13. My Destiny 14. The Day That Didn't Exist 15. No Information (Live) 16. Hung On A Bad Peg (Live) 17. I'm Cold (Live) 18. Just Say (Live) 19. Everything I Don't Need (Live) 20. On The Couch (Live) 21. Gone To The Moon (Live) 22. K-Street (Live) 23. Seven Days (Live) 24. Set Me Free (Live) Fastbacks-the day that didn't exist IMAGE REMOVED - CLICK TO VIEW 01 - Martin Denny - Swamp Fire 02 - Les Baxter - Voodoo Dreams Voodoo 03 - Yma Sumac - Taki Rari 04 - Jackie Davis - The Glow Worm [Cha 05 - The Voices Of Walter Schumann - Holiday For Strings 06 - Dean Elliott & His Big Band - Lonesome Road 07 - Nelson Riddle & His Orchestra - Theme From Route 66 08 - King Curtis - Melancholy Serenade 09 - Louis Prima - Jump, Jive, An' Wail 10 - Bobby Darin - More 11 - Howard Roberts - Girl Talk 12 - Julie London - Go Slow 13 - Ray Anthony - Peter Gunn Theme 14 - Leroy Holmes - Search For Vulcan [From Thunderball] 15 - Hollywood Studio Orchestra - The Pink Panther Theme 16 - April Stevens - Teach Me Tiger 17 - Dean Martin - Cha Cha De Amore 18 - Billy May - So Nice (Summer Samba) 19 - The Double Six Of Paris - French Rat Race 20 - Jack Costanzo - I Love Paris 21 - Ernie Freeman Combo - Rock House 22 - John Buzon Trio - Mr. Ghost Goes To Town 23 - Curley Hamner, Milt Buckner - Bernie's Tune 24 - Plas Johnson - Tanya Ultra Lounge Comp IMAGE REMOVED - CLICK TO VIEW Few artist names or album titles have ever been so misleading as this band’s. Though there are certainly elements of funk and country in the mix, their beautifully-crafted songs and harmonies (to say nothing of some biting electric guitar) are far closer in feel to the West Coast psychedelia of Buffalo Springfield and Crosby, Stills & Nash. Originally released in 1970, the album is a long-lost gem that is sure to please fans of US West Coast rock – it certainly appealed to Beck, who sampled one of its tracks on his Odelay album. Swirling, harmony enriched psychedelic country rock from Country Funk -- an odd record that's kind of a more psychedelia tinged sibling to to sounds of west coast groups of the Gram Parsons, Byrds and CSN & Y era! There's nothing particularly funky about the sound -- Country Psyche might have been a more literal moniker -- with excellent group harmonies, buzzing guitar fuzz, changing melodic lines and more than enough rural rock elements to keep it in a terrestrial groove! Rumor has it Beck sampled something on this little gem for the Odelay album 01. Apart of Me 02. Phoebe (Mourning Pink) 03. Really My Friend 04. Not This Time 05. For Me 06. Poor Boy 07. A Way to Settle Down 08. When I'm Without You 09. Comin' In 10. If I Find a Way (Song of Love) 11. Another Miss 12. Want Link to the album: http://www.soundlinkmusic.com/catalog/fallout/country-funk-self-titled/prod_183.html 1. http://www.fileducky.com/iporuOJH/ or 2. http://sharebee.com/924af1dc IMAGE REMOVED - CLICK TO VIEW If you like that heavy drugged psych sound from the early '70's then Speed, Glue & Shinki is a must! This is a excellent sounding group from the Japan and featured the great Shinki Chen on guitar. If you like Blues Creation, Juan De La Cruz, Flower Travellin' Band and Too Much then you are going to love this rare release! The debut album from 1971 by '70's Japanese acid rock band Speed Glue and Shinki. Psychedelic weirdness predominates on this release which rips along like a sludge heavy Led Zep meets Sabbath - with plenty of guitar mayhem on cuts like "Stoned Out Of My Mind" and "Mr. Walking Drugstore Man......" - and then trips out in an acoustic fashion. Great! Here's what Chris McLean had to say about Speed, Glue & Shinki: Speed, Glue & Shinki - guitarist Shinki Chen had previously been in Food Brain and recorded a solo album, bassist M. Glue (Masayoshi Kabe) had previously been in Food Brain; drummer and vocalist Joey 'Pepe' Smith was a Filipino Vietnam veteran with a large speed habit! They recorded two great albums, Eve (Atlantic, 1971) and the 2-LP Speed, Glue & Shinki (Atlantic, 1972). The main musical style on both albums is a mix of bluesy, rough & ready heavy rock and psych/acid rock, ballads, and occasional experimental blasts. Some people think these guys were pretty unique and amazing; in my opinion they're pretty good overall but there's a lot of stuff like this from the same period the world over. I suspect some people get a bit 'wowed' by the open drug references and kind of punky attitude, and let their judgement become clouded when rating this band so highly over others. What sets the second album apart from the first is that much of the last quarter of it consisted of fairly minimal and rudimentary synthesizer explorations from Smith, who had apparently just bought a synth and wanted to try it out on record. They were also joined on this album by Philippine guitarist Mike Hanopol, from Juan De La Cruz Band and later a solo artist. Not sure what happened to Chen and Glue afterwards, though Joey Smith recorded with DK Mushroom & Son and went on to the second line-up of Juan De La Cruz in the Philippines. Hanopol went with Smith to Juan De La Cruz at the same time, and with them they carried some of the flavour of Speed Glue & Shinki to that revamped group. Hanopol also released some solo albums later on. 01. Mr. Walking Drugstore Man (5:25) 02. Big Headed Woman (6:15) 03. Stoned out of my Mind (6:01) 04. Ode to the Bad People (4:53) 05. M Glue (2:43) 06. Keep it Cool (4:17) 07. Someday We'll All Fall Down (5:23) 1. http://www.zshare.net/download/873795253e6c39/ IMAGE REMOVED - CLICK TO VIEW Pink Floyd evolved from an earlier rock band, formed in 1964, which was at various times called Sigma 6, the Meggadeaths, The Tea Set, The Abdabs and The Screaming Abdabs. When the band split up, some members — guitarists Rado "Bob" Klose and Roger Waters, drummer Nick Mason, and wind instrument player Rick Wright — formed a new band called "Tea Set". After a brief stint with a lead vocalist named Chris Dennis, guitarist and vocalist Syd Barrett joined the band, with Waters moving to bass. When Tea Set found themselves on the same bill as another band with the same name, Barrett came up with the alternative name The Pink Floyd Sound, after two blues musicians, Pink Anderson and Floyd Council. For a time after this they oscillated between The Tea Set and The Pink Floyd Sound, with the latter name eventually winning out. The Sound was dropped fairly quickly, but the definite article was still used regularly until 1970. The group's UK releases during the Syd Barrett era credited them as The Pink Floyd as did their first two U.S. singles. 1969's More and Ummagumma albums credit the band as Pink Floyd, produced by The Pink Floyd, while 1970's Atom Heart Mother credits the band as The Pink Floyd, produced by Pink Floyd! David Gilmour is known to have referred to the group as The Pink Floyd as late as 1984. The heavily jazz-oriented Klose left after recording only a demo, leaving an otherwise stable lineup with Barrett on guitar and lead vocals, Waters on bass guitar and backing vocals, Mason on drums and percussion, and Wright switching to keyboards and backing vocals. Barrett soon started writing his own songs, influenced by American and British psychedelic rock with his own brand of whimsical humour. Pink Floyd became a favourite in the underground movement, playing at such prominent venues as the UFO club, the Marquee Club and the Roundhouse. At the end of 1966 the band were invited to contribute music for Peter Whitehead's film Tonite Let's All Make Love in London; they were filmed recording two tracks ("Interstellar Overdrive" and "Nick's Boogie") in January 1967. Although hardly any of this music made it onto the film, the session was eventually released as London 1966/1967 in 2005. As their popularity increased, the band members formed Blackhill Enterprises in October 1966, a six-way business partnership with their managers, Peter Jenner and Andrew King, issuing the singles "Arnold Layne" in March 1967 and "See Emily Play" in June 1967. "Arnold Layne" reached number 20 in the UK Singles Chart, and "See Emily Play" reached number 6, granting the band its first national TV appearance on Top of the Pops in July 1967. (They had earlier appeared, performing "Interstellar Overdrive" at the UFO Club, in a short documentary, "It's So Far Out It's Straight Down". This was broadcast in March 1967 but seen only in the UK's Granada TV region.). Released in August 1967, the band's debut album, The Piper at the Gates of Dawn, is today considered to be a prime example of British psychedelic music, and was generally well-received by critics at the time. It is now viewed as one of the best debut albums by many critics. The album's tracks, predominantly written by Barrett, showcase poetic lyrics and an eclectic mixture of music, from the avant-garde free-form piece "Interstellar Overdrive" to whimsical songs such as "The Scarecrow", inspired by the Fenlands, a rural region north of Cambridge (Barrett, Gilmour and Waters's home town). Lyrics were entirely surreal and often referred to folklore, such as "The Gnome". The music reflected newer technologies in electronics through its prominent use of stereo panning, tape editing, echo effects and electric keyboards. The album was a hit in the UK where it peaked at #6, but did not do well in North America, reaching #131 in the U.S., and that only after it was reissued in the wake of the band's state side commercial breakthrough in the 1970s. During this period, the band toured with Jimi Hendrix, which helped to increase its popularity. As the band became more popular, the stresses of life on the road and a significant intake of psychedelic drugs took their toll on Barrett, whose mental health had been deteriorating for several months. Barrett's strange behaviour has often been attributed to his drug use. In January 1968, guitarist David Gilmour joined the band to carry out Barrett's playing and singing duties, though evidently Jeff Beck was considered. With Barrett's behaviour becoming less and less predictable, and his almost constant use of LSD, he became very unstable, occasionally staring into space while the rest of the band performed. During some performances, he would just strum one chord for the duration of a concert, or randomly begin detuning his guitar. The band's live shows became increasingly ramshackle until, eventually, the other band members simply stopped taking him to the concerts. The last concert featuring Barrett was on January 20, 1968 on Hastings Pier. It was originally hoped that Barrett would write for the band with Gilmour performing live, but Barrett's increasingly difficult compositions, such as "Have You Got It, Yet?", which changed melodies and chord progression with every take, eventually made the rest of the band give up on this arrangement. Once Barrett's departure was formalised in April 1968, producers Jenner and King decided to remain with him, and the six-way Blackhill partnership was dissolved. The band adopted Steve O'Rourke as manager, and he remained with Pink Floyd until his death in 2003. After recording two solo albums (The Madcap Laughs and Barrett) in 1970 (co-produced by and sometimes featuring Gilmour, Waters and Wright) to moderate success, Barrett went into seclusion. Again going by his given name, Roger, he lived a quiet life in his native Cambridge until his death on July 7, 2006. [Wikipedia] Track Listings 01. Arnold Layne 02. Candy and a Currant Bun 03. See Emily Play 04. Scarecrow 05. Apples and Oranges 06. Paintbox 1. NEW URL: http://rapidshare.com/files/98478287/PF-TFTS.rar or 2. NEW URL: http://xirror.com/spread/60810004/PF1st_3Sgles.rar.html or 3. NEW URL: http://s1.massmirror.com/8e3f37f5a4a6aed04e0c82e2b529f40a.html IMAGE REMOVED - CLICK TO VIEW With the addition of Rod Stewart and Ron Wood the "small" part of the original band name was dropped, and they continued as Faces. Still, their first album was released in the U.S. under the name "Small Faces" due to a "mistake" by their record company. Their most successful songs included "Had Me a Real Good Time", their breakthrough UK hit "Stay with Me", "Cindy Incidentally", and "Pool Hall Richard". As Rod Stewart's solo career became more successful than that of the group, the band became overshadowed by their lead singer. A disillusioned Ronnie Lane left the band in 1973, replaced by Tetsu Yamauchi (who had replaced Andy Fraser in Free). Released at about the time Lane left, Faces' final studio album was Ooh La La, about which Stewart was very scathing in the musical press on its release, much to the anger of the others. A live album early the following year, Coast to Coast: Overture and Beginners, was criticised by reviewers for being poorly recorded. They recorded a few tracks for another studio album, but had lost enthusiasm and their final release as a group was the late 1974 UK Top 20 hit "You Can Make Me Dance, Sing, or Anything". In 1975 Wood began working with the Rolling Stones, which brought differences between Stewart and the others to a head, and in December the band announced that they were splitting. All members had varied post-band careers. Wood joined the Rolling Stones as a full member; Lane formed Slim Chance and had a modest solo career that ended prematurely when he was diagnosed with multiple sclerosis. Lane also worked on an album with Who guitarist Pete Townshend. Jones joined The Who after the death of Keith Moon; McLagan was considered by Pete Townshend to join the Who as well, but was touring with the Rolling Stones at the time. He married Keith Moon's ex-wife Kim, moved to America, formed the Bump Band (which tours and records to this day), and became a successful session musician; and Stewart's solo career was massively successful. There was also a Small Faces reunion in the late 1970's (without Ronnie Lane) that resulted in two albums. Ronnie Lane and Steve Marriot did however both work on the Majik Mijits album. Although they enjoyed modest European success compared to contemporaries such as The Who and The Rolling Stones, Faces have had considerable influence on latter-day rock revivalists. Their good-natured, back-to-basics (and frequently liquor-laden) live performances and studio albums connect them with such bands as the New York Dolls and The Damned, as well as Steve Jones of The Sex Pistols. As well as punk rock related bands, various acts playing different kinds of music, ranging from The Replacements and The Quireboys to The Black Crowes and, groups such as The Charlatans, BRMC, Primal Scream, Aerosmith, Pearl Jam, Whiteout and Stereophonics have all taken influence from the Faces in some way. Faces March 10, 1970 Camden Theatre London, England Source: FM Broadcast Master BBC Transcription LP 1. Flying 2. Three Button Hand Me Down 3. Wicked Messenger -------------------------------------------------------------------------------------------- Faces September 15, 1970 Maida Vale Studio #4 London, England FM Broadcast 1. Had Me A Real Good Time 2. Around The Plynth/Gasoline Alley 3. Country Comforts -------------------------------------------------------------------------------------------- Faces November 19, 1970 Paris Theatre London, England Source: FM Broadcast 1. You're My Girl (I Don't Want To Discuss It) 2. Wicked Messenger 3. Devotion 4. It's All Over Now 5. I Feel So Good -------------------------------------------------------------------------------------------- Part 1: NEW URL : http://rapidshare.com/files/98497783/F-WM_1.rar Part 2: NEW URL: http://rapidshare.com/files/98501040/F-WM_2.rar IMAGE REMOVED - CLICK TO VIEW First Toad album, originally issued by Swiss label Halleluja in the 1971. Ex-members of Brainticket investigating the realms of skull crushing heavy rock! Certified savage guitar from Vic Vergeat! Swiss hard rock band formed by members of the original Brainticket, Toad's history is obscure and largely undocumented. Their debut is said to be in the realms of Dies Irae, being heavy, bluesy and experimental. However, despite getting a British release, we've never managed to locate a copy. Their second album, "Tomorrow Blue" was surprisingly straight hard-rock, akin to Sperrmüll, with Hendrix, Status Quo and R&B influences. Their original lead singer Benjamin Jäger went on to Island.(Alexgitlin) Why does anyone bother with the current crop of "stoner rock" when there's so much better stuff made back in the original stoner age (the '70s) now being reissued?? If you're into the Man's Ruin roster, and prone to buying albums by the latest Swedish Kyuss clone, yet don't have, say, Lucifer's Friend, Flower Travellin' Band, Leafhound, Captain Beyond, or Buffalo reissues in your collection, it's time to get with the program! Not that that's easy, since much of the good old shit is definitely obscure and unheralded. For instance, we hadn't ever heard of this Swiss band Toad until a kindly customer sold back a bootleg cd with an intriguing cover a couple years ago. Now, here's a legit reissue of the same album thanks to the freaks at Second Battle. This self-titled disc is the first and best of Toad's three LPs, serving up hard-rockin' stoner psych in the best blues-based tradition of early Blue Cheer and Led Zep. The first track "Cotton Wood Hill" will offer a clue about the lineage of this band, as Toad's rhythm section played on the classic LP of that same title by acid-fried Krautrockers Brainticket! Toad boasts an excellent vocalist put to good use on the more melodic parts of their sometimes quite long songs, but a large part of the LP is occupied by heavy (HEAVY) jamming instrumental excursions featuring the killer guitar of one Vic Vergeat. This is genuine heaviness, circa 1971. (Aquarius Records) 01. Cotton Wood Hill - 8.36 02. A Life That Ain't Worth Living - 3.29 03. Tank - 3.28 04. They Say I'm Mad - 6.47 05. Life Goes On - 11.58 06. Pig's Walk - 7.27 07. The One I Mean - 2.35 08. Stay (Bonus) 09. Animal World (Bonus) Part 1: http://sharebee.com/c4d87309 Part 2: http://sharebee.com/4ddf5d2e or Part 1: http://www.zshare.net/download/83500471bafa02/ Part 2: http://www.zshare.net/download/8349538f981ef3/ |
| JoeB - 3/19/08, 2:47 pm |
| Holy shit thank you so much for that Speed, Glue and Shinki record. I've wanted to hear it for a long time. |
| JoeB - 3/19/08, 2:48 pm |
| oh wait it's not up anymore tease |
| 112358 - 3/19/08, 3:20 pm |
| What he said. |
| Icarus - 3/19/08, 4:01 pm |
| THANK YOU |
| brandnewbike - 3/20/08, 5:50 am |
| sorry bouts the ded linx i thiink this link might work Speed Glue Shinki IMAGE REMOVED - CLICK TO VIEW THe Kills-Midnight Boom how can u not have a krush on this chick? plus she was in discount and i heart htat band IMAGE REMOVED - CLICK TO VIEW Blasting out party punk with dancey elements is always a difficult trick. Do it right, and you’ve got the best garage band ever (at least that’s what your friends will say). Do it wrong, and the album is straight to the closeout bin. Basically, you’re either somewhere in the vein of the Cramps or B-52s , or you’re the Vines. Coconut Coolouts seem to worship at the feet of Fred Schneider and Lux Interior. The guitar awesomness and title of “32 Wives” seems to cast a glance the way of “52 Girls,” while “(Please Don’t Break Me Out Of) Party Jail” and it’s “I never thought that I’d have fun behind bars” intro is pure camp that either Fred or Lux would die for. We’re doing all right with Party Time Machine, which is (as the title suggests) a party time record. When you throw your party, putting on a record such as this is priority one after stocking the tiki bar and getting the torches lit. It’s disposable, but worth listening to while you get hammered on rum drinks and witty banter. Big dumb fun with ’60s organ doesn’t come around all that often in a categorically cool fashion, so it’s nice to hear a record that - while not exactly plumbing the depths of the human psyche - manages to be more than just three chords and a scream.(Rock Star Journalist) Coconut Coolouts-Party Time Machine IMAGE REMOVED - CLICK TO VIEW Formed in McKeesport, PA, a small town near Pittsburgh, the Swamp Rats released a handful of garage rock singles in 1966-1967 that got some local airplay and sales, but never broke out into national visibility. At their most scorching, those singles were in some ways a little ahead of their time, linking the fury of mid-'60s garage rock with the heavier, fuzzier, more over the top and crazed pre-metal rock of late-'60s bands like the MC5 and the Stooges. Their attack was dense and almost bludgeoning, paced by some particularly bulging-eyed, throat-rending scream-singing, usually with Bob Hocko on lead vocals. Although they were skilled at imbuing garage band standards like "Louie Louie" and "Hey Joe" with individual stamps, a big part of their failure to make a larger impact was likely their shortage of original material, with covers comprising most of the songs they recorded. At least most of those covers were hardly run of the mill in either selection or execution, particularly an overhaul of "Psycho" that might have been even more intense than the Sonics' original, though they did occasionally tone down for quieter stuff, as on their version of the Beatles' "Here, There and Everywhere." - (AMG) The Swamp Rats-Disco Still Sucks |
| walker - 3/20/08, 6:01 am |
| anyone catch Mould on Sunday night? I couldn't go but the DC setlist looked pretty good. |
| brandnewbike - 3/26/08, 3:44 am |
| IMAGE REMOVED - CLICK TO VIEW http://rapidshare.com/files/102485646/M0L8N.part1.rar http://rapidshare.com/files/102486153/M0L8N.part2.rar IMAGE REMOVED - CLICK TO VIEW http://rapidshare.com/files/102024922/K0A8S.rar IMAGE REMOVED - CLICK TO VIEW Gary B step into the sunshine http://rapidshare.com/files/101305894/G0B8.rar IMAGE REMOVED - CLICK TO VIEW http://rapidshare.com/files/101268502/PAtD08.rar IMAGE REMOVED - CLICK TO VIEW La Ira De Dios / Hacia El Sol Rojo IMAGE REMOVED - CLICK TO VIEW Autistic Daughters / Uneasy Flowers IMAGE REMOVED - CLICK TO VIEW Gangpol Und Mit / Tournent En Rond |
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